Sodomy & Pedicures: A post-feminist, femme fatale wannabe finds she is just a little bit dirty in this hysterical solo manifesto. Through the skilled writing, super sharp wit and charming brazenness of the talented Jessica Hedrick, we are shown that the spawn of an Irish Catholic women's studies professor and an American communist will grow up to rebel through acts of submission. Conflicted by her wants of politically incorrect bedroom behavior and the good, old fashioned need to be loved, Hedrick provides perfect fodder for a performance that is over-the-top, laugh your ass off funny, and just a little (okay, a lot) naughty. Try as you might to resist your primal theatrical urge, you can't help but be riveted by Hedrick's heartfelt journey from confused innocent to confident babe ready for intimacy and a fabulous mani-pedi. Pure, outrageous, quintessentially far-out Fringe fare, let's hope this exploration of womanhood has life beyond the Festival.
Jaspora (Imitation Haitian): And now for something completely different. Knockout performer Nancy Moricette sparks a firestorm of energy, anger and conflict in this one woman show on cultural identity and racial prejudice. Super-fueled by a rage from within, Moricette's explosive and emotionally powerful performance exposes painful details of growing up the spirited child of religious Haitian immigrants. Switching deftly from youngster to adolescent to out-of-place college student, Moricette paints a perfect picture of a brilliant woman in tormented conflict with her surroundings. White boys, television fantasy and college degrees all play carrot to motivate Moricette's trek, which ultimately leads back to family and acceptance of self. Jaspora is Fringe theater with depth and a message of importance.
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